Five Tips from Madeline Moore

Five tips on how to write erotica from Madeline Moore:

1) 'Telling detail' and 'detail' are not the same thing. Many new writers describe every movement a character makes. These details aren't necessary. Readers know how to open doors, drive cars, get dressed and so on. What they don't know, when they begin reading a story, is the stuff your character is made of; that's the 'telling detail' you need to show (not tell) them.

2) While your story needs a beginning, middle and end, everything that happens in each scene (or chapter) does not. A character doesn't need to enter a room, engage in a conversation or series of actions and dialogue, leave the room, mull over what was said while he gets ready for bed and drift off to sleep. Start the scene or chapter as close to the point it is there to convey and end it as soon as possible after the information you want the reader to have has been provided. This is doubly important when writing erotica. Every erotic encounter doesn't have to start with foreplay and end with orgasm. Honest.

3) Avoid 'ing' words as much as possible. You'll still use a lot of them and that's OK but if you don't have to use one, don't. In particular, try not to start your sentences with 'ing' words. Often, new writers think they are  starting a new sentence with a verb when in fact they are starting it with a gerund. Gerunds are very tricky. Stay away from them. Subject Verb Object is the natural order of a sentence. Stick with that and you'll be fine.

4) Every verb doesn't need to be preceded by three, two, or even one adverb. Every noun doesn't need to be preceded by three, two, or even one adjective. Look at it this way: there are thousands upon thousands of words that are eager to appear in your story. Some of them are worthy of a place in your piece and others are not. New authors are particularly fond of writing: She smiled. Really, it's rarely required. Other oft repeated descriptions that are usually unnecessary are: He nodded. She shrugged. Or, even worse: He nodded his head. She shrugged her shoulders. Most of the time you don't need to write any of this and you never need to write: She shrugged her shoulders. There is no other body part that shrugs. This is also true of: He nodded his head, except in erotica, where on occasion a man might nod another body part. Simply put: Make words work hard to be in your story.

5) Most of the time, the only tag needed in dialogue is the name of the character who is speaking, or the pronoun representing that character and the word 'said.' Sometimes a writer might use 'asked' or 'replied.' Occasionally, characters may shout, whisper, or mumble. Almost all new writers overdo their tags. One character 'vehemently demands' to know what's going on, while another 'whispers coquettishly and batts her eyelashes' while saying a flirty line. This quickly becomes annoying. The truth is that 'said' is so common in literature that readers' eyes actually skim right over it. That keeps the dialogue and action moving and that's what you want. On this topic: people do not 'smile' or 'laugh' their dialogue. Ok?

Madeline Moore is the author of many pieces of fiction including Sarah's Education. More of Madeline's work can be found by visiting: http://moremadelinemoore.blogspot.ca,https://twitter.com/MsMadelineMoore.

http://www.facebook.com/madeline.moore.906 and http://www.amazon.com/Madeline-Moore/e/B002BLU57O.

Five Tips from Jeremy Edwards

Five tips on how to write erotica from Jeremy Edwards:

1) Be aware of the wealth of options at your disposal regarding vocabulary, sentence structure, imagery, etc. Exploit this decision-making aspect of the writing process, so that you're really *crafting* your story, making deliberate choices so as to utilize the literary building blocks that you think will work best.

2) Keep your ear on the rhythm of your prose. All writers are poets, in a sense.

3) Try to give the reader descriptions and associations that he or she wouldn't have thought of without you. Make the reader need you--*your* words, *your* voice. Stay in the driver’s seat as far as vocabulary is concerned: don’t automatically go with the first word that comes to mind. Is there a better word to plug into a particular sentence? A more precise or more evocative one? A less overused one? The impact of your scene will be greater if your words surprise, stimulate, and delight the reader with the fresh images and ideas they convey, rather than plodding along predictable paths.

4) Make your details count. Some well-written scenes have a rich carpet of thoughtful detail, and other well-written scenes play out in a sparser or more impressionistic style. If you’re doing the former, make sure your narratorial voice clearly guides the reader along, so that the lushness points somewhere rather than becoming a jungle to get bogged down in. If the latter, make sure those choice few details pull their weight in terms of their effectiveness. With either approach (or anything in between), watch out for detail "weeds" that can distract from detail "flowers."


5) Master the conventions of your art's technical aspect, but be wary of too many "don'ts" and "nevers." Writing--especially fiction writing--is a creature that needs room to breathe, stretch, and strike its pose. The paramount rule for a creative writer, or any artist, might be stated as "Do what works."


Jeremy Edwards is the author of many pieces of fiction including Rock My Socks Off. More of Jeremy's work can be found by visiting: www.jeremyedwardserotica.com

What do editors look for? Brenda Knight

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Five Tips from Tilly Hunter

A big thank you to Ashley for inviting me over here today. There are plenty of invaluable writing tips on the site already as well as a fair bit of advice on approaching editors or publishers, so I’ve tried to look at things from a slightly different angle with my five tips...

1. Turn off your inner censor...

You can’t write about sex with a projection of your mother, father, gran, uncle, priest or teacher sitting on your shoulder expressing shock or moral outrage at every sentence. If you have young children or a sensitive job, you’ll probably need to pick yourself a pseudonym and guard it closely. Then you can give yourself permission to write freely, unrestrainedly, uninhibitedly. Without anyone whispering to you that it’s not art, that it’s cheap and smutty, that it’s wrong or filthy.

2. ...then write dirty

I mean really dirty. Think of a sexual act that you, personally, find shocking, or weird, or distasteful, or even disgusting. Then write a short scene incorporating that act. And not in a shocking, weird, distasteful or disgusting way. In a way that is hot and positive and leaves you with that tight little feeling in your throat. Even if you never show this to another soul, I think it’s useful to get the worst you can think of out of your system rather than tiptoeing towards more and more risqué things and also to learn how to make anything sexy, even if it’s totally beyond your own experience or fantasies. Another useful exercise is to make something really mundane sound hot. Something like knitting, say...

3. Copy

I’m joking. You shouldn’t copy other authors. But you should read as a writer, working out what it is about other authors that you like and how you can take elements of that and make them your own. I love the deep point of view and breathless stream of consciousness of Charlotte Stein, the literate quality and filthy daring of Janine Ashbless, the realistic and authoritative descriptions of BDSM in Fulani, the playful humour of Justine Elyot. Whatever strengths your favourite authors have, take those as your standard and aim to write that well.

4. Don’t sell out

Related to the last point is to always produce work you can be proud of. I know it’s not the done thing, especially for us Brits, to admit that we actually think we’re any good, but for me it’s really important to feel a personal sense of pride in what I write. This means not churning something out and thinking ‘it’ll do’. Not writing to ape the bestsellers. Not avoiding moral issues (and not the ones your gran, priest, teacher etc would be on about). The moral issues I’m thinking of are the safety of casual BDSM encounters, how easy it is to unwittingly slip into scenes of dubious consent, gender stereotypes, presenting straight sex as normative...

5. Don’t let it get personal

There are, of course, erotic memoirs or diaries out there – Diary of a Submissive and No Ordinary Love Story by Sophie Morgan spring to mind and both are great reads written by someone who has been very brave to bare her personal story. But they’re different from writing erotic fiction. You can’t base an entire writing career on your own exploits, however varied and exciting. And, for me, I start to get uneasy when real life creeps in a little too much, however much my imagination embellishes it. I can’t reveal which stories that’s happened in, although I can tell you it’s not the m/m ones... I use all manner of observations and snippets of conversation and things I’ve read as inspiration and to add unusual little details to my stories, but for the big picture it’s all my imagination. And yes, that can be a dark and strange place.

***

Tilly Hunter is a British erotica writer and editor with short stories out or in the pipeline from Xcite Books, House of Erotica, MLR Press, Cleis Press, Storm Moon Press, Coming Together and Ryan Field Press. Her trio of BDSM short stories, Miranda’s Tempest, gives a kinky twist to Shakespeare’s The Tempest, Grimms’ Hansel and Gretel and Homer’s The Odyssey and is available at most online retailers or at Amazon or Amazon UK. Her editing and proofreading site is at www.tillyhunter.co.uk and she blogs at tillyhuntererotica.blogspot.co.uk.

Five Tips from Kyoko Church

5 tips by Kyoko Church

1.       Forget the world. I would say all fiction writing, when it’s done well, is intensely personal but is there any that is more so than erotica? The first thing I absolutely have to do when I write about sex is to completely forget about the fact that anyone else is going to read it. That’s a scary thing to do the first time! But if you believe that all the best writing is born of passion and a compulsion to communicate that passion, then it is essential that you not censor yourself. Write your truth. Worry about what Aunt Velma’s gonna say when she reads about your secret penchant for masturbating while wearing latex later.

2.       Well, maybe not the world. Okay, bring back one person. Maybe it’s your lover. Maybe your best friend. Maybe it’s Aunt Velma after all. Someone who you are 100% comfortable with and to whom you can confide all your darkest, grittiest, private thoughts. And write to her. Two things are possible when you write like this. As a reader I love when I get the feeling the writer is letting me in on a secret, something I haven’t heard before, like I’m eavesdropping on a private conversation or peering into someone’s bedroom. This is the feeling you are able to conjure when you write to one special person. You allow the reader that private, special glimpse which is thrilling for her. The other thing that happens is you develop a rapport with your reader. You want that. Treat your reader with respect. Time is precious and she is taking time out of her day to sit down and read your words. That deserves respect.

3.       Edit, edit, edit. And while I’m talking about respecting your reader, let’s talk about editing. We all know that with self-publishing now any Tom, Dick or Barbara can jot a few words down, throw them up on Amazon and think she is going to be the next EL James, taking the unsuspecting public by storm with her story about the time she let her boyfriend fuck her from behind while she was wearing a dog collar and fantasizing about Taylor Lautner. And it’s not that the dog collar thing is not a valid fantasy. Who am I to say what fantasies are valid? But if you’re going to write it down and want me to read and be entertained by it then do it or don’t but whatever you do, don’t do it half assed! Make it your best. And part of how you do that is through editing. And editing. And editing again. Like I say, it’s about respect for your reader. As a reader, it’s one thing if I read something and don’t like it but if it’s badly edited as well then I feel like, not only do I not care about this, neither does the writer! Way to punch me in the stomach and spit in my eye for good measure. Yes, outside of selfpub land mistakes will get caught when the publisher gets their editors to go over it but the more you catch yourself the less there is for later which means there will be a higher possibility that what comes out will be perfect, or as close as you can get it.

4.       Take classes. If you are an avid reader, like any good writer undoubtedly is, you might already have an instinctual ability to tell a story. But in my opinion it is good practice and also good fun to always be honing your skills. So take classes. Learn the technical stuff: show, don’t tell, POV, goal, motivation and conflict, character arcs, plot development, all of that. It’s inspiring, fun and educational all in one!

5.       Fantasize. What’s that you’re doing in bed there, KC, with that pillow between your legs and the faraway look in your eye? Well since you asked, that, my friend, is what I like to call research and development. Yup, it’s all part of the job. Nice work, if you can get it. Now go away. I’m busy. Ignore the buzzing.

Kyoko Church's books can be found on the following pages:

http://www.amazon.com/For-Pleasure-Mischief-Books-ebook/dp/B009UL1U5O/ref=sr_1_5?s=digital-text&ie=UTF8&qid=1361161166&sr=1-5

http://www.amazon.co.uk/For-Pleasure-Mischief-Books-ebook/dp/B009UL1U5O/ref=sr_1_1?ie=UTF8&qid=1361161997&sr=8-1

Website: kyokochurch.blogspot.com

Facebook: http://www.facebook.com/kyoko.church

Twitter: https://twitter.com/kyokochurch

Pinterest: http://pinterest.com/kyokochurch/

Smut Luton 7th March 2015

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What do editors look for? Sedonia Guillone

 Author and publisher, Sedonia Guillone has more than fifty novels, novellas and short stories published at Ellora's Cave, Red Sage, Loose Id, Torquere Press, and Total-e-Bound Publishing.

1. work as hard as you can on Improving your craft BEFORE you submit anything. The best way I have found to do this is 1. to get with a good critique partner who will be honest with you about your writing and not just tell you your writing is fabulous all the time and 2. to get a copy of Self-Editing For Fiction Writers, study it well and apply the lessons. if an editor has to renovate your work completely then you will find yourself getting rejection letters rather than acceptances.

2. Be a good writer to work with. Don't argue with your editor on his/her suggestions or reject any of them out of hand. Weigh everything thoughtfully. In other words: DON'T be a writing diva. Be polite and timely and respectful and editors will be happy to work with you and even help you along to push up release dates and things like that.

3. When going over your work, out yourself in the reader's place. Is what you're trying to say coming through clearly? In other words approach your writing with objectivity. Many authors know what they mean in their head but the meaning doesn't come through clearly in the words they choose.

4. This tip is for erotica writers: make sure your erotic scenes are sensual. Don't use words for body parts that are gross and crude. Make sure your erotic scenes are part of the natural flow of the story and not artificially stuck into the story. Also make sure you don't have people doing things that in reality are physically impossible or out of character for that person.

5. It's always good to make a print copy of your work and read it on paper when revising. You'd be surprised at how different the pacing is on paper as opposed to the computer screen.


Sedonia Guillone now owns and operates Ai Press, an erotic romance publisher of e-books and trade paperbacks. You can find her work at www.sedoniaguillone.com and www.ai-press.net.

What do editors look for? Sharazade

1) Do your research. Only submit a query or a manuscript to an appropriate publisher. That means you familiarize yourself with their current published works—reading some, if at all possible—and make sure you know what sorts of things they publish. If they only publish ebooks, don’t insist on a paperback. If they publish mainly erotic romance, they’re probably not going to take your edgy tale of non-consent. If you’re not sure, of course you can ask—but your questions will come off a lot better if you clearly know who they are. A publisher can tell when you’ve just gotten a list off the Internet somewhere and cut and pasted the same submission letter to each one. And that’s not really more efficient for you, because it’s going to lead to more confusion and rejections.

2) Submit what they ask you to submit. If they want a query letter first, send a query letter first. If they want two sample chapters, send two sample chapters—not one, not the whole book. You are not a special snowflake. Follow the directions.

3) Submit how they ask you to submit. Some publishers don’t want attachments. Some only want attachments. If they want Times New Roman, 12 point, then use that. If they want it hand-written with pictures of clowns on odd-numbered pages, then do that if you want to be published by them. If you don’t find yourself willing (or able) to comply with their query or submission process, you’re not going to want them to handle your book. (If they don’t say at all, then you can’t go wrong with Times New Roman, 12 point, ragged margins, double-spaced, in a Word .doc or a .pdf. Don’t do the clowns thing unless asked.)

4) Please, oh please, check your cover letter for typos, and also tone. It’s nice to sound human, but not so casual you seem inattentive.  Be positive and confident, but arrogance rarely goes over well. Don’t apologize. If you don’t have a degree in writing or you’ve never published before or you secretly worry that the manuscript everyone in your critique group loves is actually crap, keep all that to yourself. Explain the qualifications and publication history you do have, if any; but don’t point out any lacks if you don’t. Ultimately, it’s your book that’s going to be judged—not what sort of life you led in order to write it. Remember too that publishers are more interested in authors who have more than one book in them. They’re easier to promote, and all their books sell better. If you have more than one finished manuscript, or you have published in other places, or at least have ideas for future books, mention that.

5) Don’t submit a rough draft. Yes, you’ll get edited—although increasingly I see fiction editors giving a manuscript a copy edit, and not a content edit. Even if you’re lucky enough to be assigned the sort of editor who will work intensively with you, you should always submit your best effort. Someone should have read it in addition to you (and not someone romantically involved with you) and provided feedback, which you should have at least considered, if not taken on board. It goes without saying that you used a spellcheck, and also read it carefully for typos and errors with homonyms. This is your tryout. A publisher wants to see your very best writing.

6) (I was going to cheat and add this to one of the other five, but that would only be confusing.) Allow at least two months to hear back. If you don’t hear back after four months, it is perfectly fine to send a polite follow-up query.

*** 

I’ve worked as an editor for about ten years, three years in-house with a New York publisher, and the rest freelance. I’ve worked with three of the “Big Six Five” and numerous smaller presses. I’ve worked as a content editor, development editor, production editor, copy editor, and proofreader. I’m also a published author, with about 40 books (non-fiction) to my passport name, and to my pen name (erotica) one single-author anthology, a few single short stories, and short stories in anthologies with Cleis Press, Sizzler, and the Erotic Literary Salon. In 2010 I launched 1001 Nights Press, a small erotica publisher that I’d describe as “cautiously open” to new writers (cautious because of time commitments, not because you aren’t a fantastic writer). http://1001nightspress.com

Five Tips from Nikki Magennis

 from Nikki Magennis

1) Write poetry. Poetry can help a writer focus on rhythm, sound and pacing and encourage you to be rigorous about your word choices at a sentence level. These skills will spill over into your other writing, too. 

2) Record conversations. Real life dialogue is a fascinating, messy beast. I love writing and reading transcriptions, and it'll help your dialogue to look closely at how people really speak.


3) Edit. I'm tempted to write this for the last three points, but that would be cheap, so I won't. But let me say as strongly as I possibly can that every piece of good work has to be edited over and over again, preferably with a bit of time lapsed between drafts so you can come to it with fresh eyes.


4) Find at least one good beta reader. Critting other people's work as well as sharing yours with peers is scary, dangerous and invaluable.


5) Never stop questioning everything, particularly your own work. I've been writing professionally for years and I still feel like a shitty beginner. This is good. I hope I always feel like a shitty beginner - 'may my heart always be open to little birds', to put it more poetically. You should be constantly challenging yourself on all fronts - whether on subject matter, style, structure, form, purpose. Everything.

More of Nikki's work can be found here: www.nikkimagennis.com

What do editors look for? Saachi Green

 Sacchi Green is an award-winning writer and editor of erotica and other stimulating genres. Her stories have appeared in scores of publications, including Best Lesbian Erotica, Best Women’s Erotica, Best Lesbian Romance, Best Transgender Erotica, Best Fantasy Erotica, and Penthouse. In recent years she’s taken to wielding the editorial whip, editing nine lesbian erotica anthologies, most recently for Cleis Press.

A collection of her own work, A Ride to Remember, is out from Lethe Press. Five of her books were Lambda Literary Award finalists, and Lesbian Cowboys, co-edited with Rakelle Valencia, won the Lambda for lesbian erotica in 2010. Two books, Lesbian Lust and A Ride to Remember, were winners of GCLS awards.

Below are Sacchi Green's tips for writers, and a couple of her pet peeves:

1) Tell a story as only you can tell it. Be familiar with other writing in your genre, but don’t imitate anyone else. As an editor I look for an original approach and a distinctive voice; something to set a story apart from all the thousands I’ve seen before. Surprise me!

2) Make your characters so real that the reader can tell them apart just by the way they act and speak, even when you don’t specify who’s speaking.

3) Pay attention to the rhythm of your prose. Vary the length and structure of your sentences (unless, of course, you use short, choppy sentences or long, rambling ones to make a certain point or define a character.)

4) Don’t assume that grammatical constructions you see over and over must be correct, or should be used over and over. There’s no need for sentence after sentence, or even paragraph after paragraph, to begin with a participial phrase such as “Opening the door, she crossed the room.” Think about that. Is the room so small one could cross it while still in the process of opening the door? Even when there’s no such grammatical problem, overuse of “ing” looks amateurish (and is, obviously, one of my pet peeves.) There are other more varied ways of avoiding too many sentences that start with “she” or the character’s name.

5) And speaking of pet peeves, particularly when dealing with erotica, PLEASE be sure you know whether your character’s movements and actions are physically possible. I’m not talking about superhuman endurance, or strength; I’m just considering logistics. Remember whose various parts are where, and don’t tie the reader’s (and editor’s) mind in knots trying to figure out how what was up is suddenly down, and why what faced one direction (and was, in fact, tied that way) is suddenly available for full frontal play. This sort of thing can apply to any scenes of concentrated action, erotic or otherwise, but interrupting the flow of a sex scene is especially, well, frustrating.

Find Sacchi online at http://sacchi-green.blogsot.com, FaceBook. Live Journal (http://sacchig.livejournal.com/ ), and the Lesbian Fiction Forum (http://www.lesbianfiction.org/viewforum.php?f=53)

Five Tips from Tenille Brown

 Five tips on how to write erotica from Tenille Brown.

1) Read and familiarize yourself with the erotica genre as to avoid redundancy and so you know what type of writing/stories are most popular and most desired.

2) Put your best foot forward - Submit properly formatted work to editors that adhere to their guidelines and fits their specific call.

3) Research your market - That way you don't end up sending anal erotica to an editor looking for bondage stories.

4) Create believable characters and settings - Remember, it's still a story, not just some pages with some sex.

5) Make the erotic portions believable - Avoid too much gymnastics-like sex. Also, sometimes a little goes a long way. Subtle can be sexy, too.

Tenile Brown is the author of many pieces of fiction including 'Cling' in Rachel Kramer Bussel's anthology, Sex and Candy. Tenile's blog can be found at http://therealtenille.com and her twitter handle is @TheRealTenille.

Five Tips from Lisabet Sarai

 Five tips on how to write erotica from Lisabet Sarai,

1. Set goals for yourself but be willing to be swayed by inspiration
Writing is a balancing act between reasoned, disciplined work and the crazy
dictates of emotion and imagination. I have a writing plan, for at least six
months into the future, and I have a plan for my time whenever I sit down to
write (e.g. how many words I expect to produce or where I expect to end up in
terms of the plot). However, things don't always go according to my plans,
usually because I'll have some other idea that twists the story in a new
direction, or maybe an entirely new story pops into my mind. I've learned not to
be too rigid. Sometimes the wild notions that throw me off the rails are in fact
just what I need.

2. Don't compare yourself to any other author
It's easy to get discouraged about your own writing career when you look at
other authors who seem to be more prolific, more popular, more savvy about
marketing, more eloquent, more original, or whatever. When those comparisons
start to haunt you, do your best to ignore them. Remind yourself that each of us
has her own voice, her own method, her own path to success. Negative emotions
like envy, guilt or a feeling of inadequacy will not motivate you to produce
quality fiction. Negativity tends to smother inspiration.

3. Learn and focus on your personal areas of weaknessListen to your editors, your beta readers and your critique partners. They will
help you to see general areas where you can improve your craft. We all have
them! Once you've identified these areas, pay attention to them when you're at
work writing (or in the editing process, if your methods involve a rough first
draft with lots of later polishing). Never stop focusing on quality and
self-improvement.

4. Don't dismiss grammar and spelling as superficial nicetiesSome authors appear to believe that if a story is sufficiently original and
involving, then using proper grammar and correct spelling are unimportant
frills. I strongly disagree. Grammar, like vocabulary, dialogue, and
description, is a tool for conveying nuances of meaning. An ability to quote or
explain formal grammar rules is not necessary, but an accomplished author knows
how to use the structure of sentences to express her thoughts with greater
precision. Meanwhile, in today's digital world, there is no excuse for
submitting a manuscript full of spelling errors.

Submitting clean manuscripts will endear you to your editors. Furthermore, in
this fast-paced era of e-publishing, many publishers seem to be devoting less
time and effort to editing. Don't expect your publisher to fix your mistakes. If
you're content with a slapdash manuscript full of grammar and spelling gaffes,
you really have no right to call yourself a professional author.

5. Find a writing method that works for you personally
There are as many approaches to writing as there are authors. Some authors do
meticulous outlines and character profiles. Some simply sit down and write
whatever comes to mind. Some do three, four or more drafts, making major
revisions with each iteration. Others edit as they write, so that their first or
second draft is ready to submit for publication. Some authors can split their
time among multiple books or stories simultaneously. Others need to focus on
one WIP at a time.

You'll get advice everywhere about how you "should" write - in how-to books, on
blogs, in critique groups. Be willing to consider the proposed techniques, but
recognize that there is no one correct way to write. You need to experiment
until you find the approaches that are most satisfying and productive for you
personally. You may discover that these change over time, too, or that the best
techniques depend on what you are writing.

Lisabet Sarai is the author of countless pieces of quality erotic fiction. More of Lisabet's work can be found at: http://www.lisabetsarai.com and http://lisabetsarai.blogspot.com.

Five tips from Catherine Lundoff

 Five tips (in no particular order) on how to revise from Catherine Lundoff:

1) Almost everything wrong with an early draft can be fixed with thorough revisions.

2) Revising means learning to look at your work from a critical and detached perspective. It takes practice and timing – revising a brand new story right after you finish it isn’t as effective as letting it sit for a period of time while you work on other things. Then you can go back to it with a fresher eye to find the problem areas. 

3) Learn to love revising.

4) Some things to do when revising:      · Check for spelling and grammar errors.     · Ask yourself questions about your plot and your characters’ motivation. Look for logical flaws.     · Read your work aloud to see how it sounds.     · Do you have any words or phrases you like to use? Check to see how many times you used them in your story and start rewriting those sections.

5) Quit while you’re ahead. Don’t get caught up in an endless rewriting loop. When you feel that your story is the best that it can be, submit it. Then go write something else.

Catherine Lundoff is the author of many pieces of fiction including the short story 'Twilight' in Best Fantastic Erotica. More of Catherine's work can be found by visiting: http://catherinelundoff.com/.

What do Editors Want? Pepper Mason

 Pepper Mason is an up-and-coming artist, author, and editor of high quality erotic short stories. She began writing as a hobby in 2003, but began self-publishing as an independent author earlier this year in hopes of one day cultivating the hobby into a full-time career. She has edited several works of friends and colleagues off the books, and all of her personal work, services and contact information can be found at peppermasonbooks.weebly.com.

1) I cannot stress this enough. Independent authors should never publish a book without letting at least one (preferably more than one) other person proof read it. No matter how many times you read your own work, there are bound to be errors that you’ll miss. Even if you can’t afford editing services, have a friend or colleague read over your manuscript for you. (Other independent authors on a budget may be willing to trade proof reads. Just ask!)

2) Microsoft Word's spelling and grammar check will never be able to replace human comprehension. It can’t tell you when something is written awkwardly, and it doesn’t cover the entire gamut of punctuation misuse. It will also oftentimes miss words that are misspelled, when those words end up being spelled correctly but with a different meaning. Never assume you’ve corrected all of your errors with a simple run of this or any spell/grammar checking program.

3) Be careful with continuity. If your character is slowly pushing up the silky green fabric of her lover’s shirt to expose his washboard abs, please make sure he wasn’t shirtless in the prior scene. Things like this are easy to miss when you’re plowing through plot like a person possessed.

4) Repetition. I have found this to be a common plague amongst the writing community, even within the work of professionally edited and published authors. Be careful not to use the same phrases and words over and over again. You have a thesaurus at hand any time you’re connected to the internet; you can find another word for ‘walked’. Try ‘moved’, ‘trudged’, ‘cantered’, ‘stalked’, ‘slouched’, ‘stomped’, or  ‘marched’ instead. It sets the tone for how the character is moving, instead of simply informing the reader that he is, in fact, moving. Also be careful with the infamous “He did this, he did that” repetition. Characters can be addressed in a number of ways, and not always at the beginning of a sentence. You can replace ‘he’ with things such as the character’s name, ‘the blonde boy’, ‘the young man’ etc, etc.

5) Plot. Even if you’re writing a four-thousand word short erotica, plot is important. It holds the entire story together. I always recommend creating a detailed outline of your plot before beginning to write. Even a loose plan can help you organize your plot, and keep your story from dragging on or becoming nonsensical. Make sure your plot makes sense and flows smoothly before you put a single word in that .doc file. It will save you a lot of time and frustration in the long run.

More of Pepper Mason's work can be found at peppermasonbooks.weebly.com.

Five Tips from Valentine Bonnaire

 Five tips on how to write erotica by Valentine Bonnaire:

1) Read the erotic classics. Here’s a tiny list from Goodreads:

http://www.goodreads.com/list/show/9684.Best_Erotic_Classics 

I say this because they are the classics for a reason! A few people aren’t on here: James Joyce, for example, or the Marquis de Sade. It’s hard to get hotter than some parts of Joyce’s Ulysses. Anybody who had a banned book is probably really good. Really, really, really good!

2) Write what you know. Write your own gender. I say this because when you do this, the reader is really going to “get” what you are saying. I never write a sex scene I haven’t done or would do in real life.

3) Read erotic poetry! Neruda, Paz and “The Ink Dark Moon” http://www.amazon.com/Ink-Dark-Moon-Komachi-Shikibu/dp/0679729585 are all favorites of mine. Read outside the genre as well. Sometimes the most erotic book ever will not be called an erotic book. I found Jeanette Winterson’s “The Powerbook” to be one of the most erotic books I’ve read.

4) Start small and be published in the right places. I chose Cleansheets.com and the Erotica Readers and Writers Association for that. The latter has a fantastic writer’s list. Getting your first feedback will be invaluable as a confidence builder. Trust the editors!

5) Find your niche, and if you use a nom de plume stick with it! I made the mistake of switching once and that wasn’t so good. Keep track of your publishing credits and when you have enough join things like Poets&Writers. Take in a writers' conference or two? Get your courage up by doing a reading. That’s harder than it looks. The first time I let a conference workshop leader read one of mine, she said she had to stop. The piece was called “Gardenias” and the word that stopped her in her tracks was, “wet.” Never underestimate the power of language. We work with such loaded and oftentimes sacred words.

Valentine Bonnaire’s work can be found in the archives at Cleansheets.com as Adrianna de la Rosa and Valentina Bonnaire, and at ERWA in the galleries and Treasure Chest. “Flowering” will appear this year in The Mammoth Book of Quick and Dirty Erotica edited by Maxim Jakubowski. http://www.amazon.com/Mammoth-Book-Quick-Dirty-Erotica/dp/076244813X Three chapters of “Man in the Moon” appear in “From Porn to Poetry 2” edited by Susannah Indigo. http://www.amazon.com/Porn-Poetry-2-Susannah-Indigo/dp/0971662347/ref=sr_1_1?s=books&ie=UTF8&qid=1362620438&sr=1-1&keywords=from+porn+to+poetry+2

Five tips from Saskia Walker

 Five tips on writing erotica from Saskia Walker. 

1. Make time: Try to make a regular routine for your writing. Even if it's only fifteen minutes a day on your lunch break, or twenty minutes before the rest of the family get up in the morning, a regular routine will help you achieve your dreams.

2. Tenacity: It's rare that a writer becomes a publishing sensation overnight. Even big name authors receive rejections. If you receive a rejection, keep writing, and resubmit! Your writing might not have been right for that editor but another editor might love your voice. Best of all, every time you write it'll teach you something new. Hang in there!

3. Be patient: There's a lot of waiting involved in being an author -- waiting to hear back about a query or submission, waiting for a story or book to reach publication -- to name just a couple. Don't wish your life away waiting on the news, move onto the next project in between times. If you work that way, you will hone your craft and your output will soon snowball.

4. Research: Before you submit work to a publisher contact some of the authors you see published there and ask about their experience. Would they recommend the publisher? Study guidelines too. Be absolutely sure you're subbing your work to the right place and in the right format.

5. Enjoy!: Have fun and enjoy your work. If you do, that will shine through on the page your readers will have fun too. You can't wish for a better reader reaction than that.

You can find out more about Saskia Walker and her writing at http://www.saskiawalker.co.uk/

www.saskiawalker.blogspot.com

THE HARLOT ~ February 2013. THE LIBERTINE ~ March 2013. THE JEZEBEL ~ April 2013.

Five Tips from Donna George Storey

 (5 Tips for Writing Erotica They’ll Read Again and Again)

Many excellent writers have shared their writing tips already, and I endorse them all, but I wanted to mention a few personal guidelines I’ve developed over the years to take away the terror when I sit down to write a new story.

1.  Writing a story is like seducing a lover.  You want to intrigue, delight and ultimately move your reader so that she or he will want to come back to your imaginary world over and over again.  It’s a tall order, but the easiest way I’ve found to connect with my ideal reader is to write about what intrigues, fascinates and turns me on.  It doesn’t always have to be based on real experience.  I’ve discovered many new varieties of sexual pleasure in fantasy, and later in the flesh, through my explorations for a story.  However, unlike a lover, a reader can always tell when you’re faking it, so make sure you want to be there and enjoy.

2. When planning a seduction, you dress to look your best, turn on the charm, and give your partner your full attention.  How does this translate into a story?  Don’t stint on the planning phase.  Let the ideas simmer, play around with the plot and characters, let them take on a life of their own.  The “charm” is your willingness to make the scenes and all the senses come alive.  Paint a picture for your reader, but also write a symphony of language and cook up deliciously naughty scents and tastes.  Finally, a strong first line that grabs ‘em by the nose, quick and clever transitions, and a satisfying final line are the literary equivalents of courtesy to your “date.”

3.  Put your story to this test:  take way all the explicit sex and see what’s left over. If you still have a good story—even if it’s much shorter—then you’ve passed.  Besides lots of hot sex, a good erotic story always has an intriguing plot, characters with humanity, and descriptions throughout that are sensual in themselves.

4. Stories that yield more pleasure on the second, third or fourth reading require that many editorial passes times ten for the writer.  I believe a writer only deserves a reader’s attention when she puts her best efforts into shaping the plot, weaving a wonderful atmosphere, lighting a fire between (or among) the characters, and making each word work for its place in the story.  This never happens in a first draft.  Of course, first drafts require freedom and flow for the imagination, but after the shape of the story is set, put on your editor’s hat and earn the return!

5. Forget the orgasm.  Well, not completely, but in a partial departure from real-life dating, the build up to the climax matters more.  I barely remember the orgasms in my favorite erotic stories.  It’s the delicious path to ecstasy that I seek over and over again.  Story-wise, the climax is the significant change in the relationship of the characters—a moment which sometimes, but doesn’t always coincide with the orgasm.  I’ll admit that one of my biggest challenges is writing about the orgasmic experience in a fresh, realistic way.  Usually a few well-chosen sentences will get the job done, but they’re never the heart of the story.  After all, if you set up the mood right, the reader holds the ultimate pleasure in his own hand.

Happy writing!

Donna George Storey is the author of Amorous Woman (recently released as an ebook) and a new collection of short stories, Mammoth Presents the Best of Donna George Storey. Learn more about her work atwww.DonnaGeorgeStorey.com or http://www.facebook.com/DGSauthor

Five Tips from Jean Roberta

 5 tips from author Jean Roberta:

 1) Keep a dream diary, or at least tune in to your own stream of consciousness once in awhile, and jot down what slides through your mind. The most random, seemingly inappropriate or irrational thoughts or images can be the seeds of a very interesting piece.

 2) Make time for writing. (This is easier said than done.) If necessary, put a DO NOT DISTURB sign on the door of your study or bedroom.

 3) Don't discard any piece of writing completely, but be willing to make big changes. If your novel, poem or story has been rejected a few times, consider ways to revise it. Something about that piece intrigued you in the first place. Try to find that core, and try to make it as clear as possible to your imaginary reader.

 4) Before defining yourself as strictly a poet, strictly a short-story writer, or strictly anything else, dabble in different genres. An idea that doesn't seem to gell in a work of fiction might work in a poem. A story full of dialogue could be turned into a play. An overly complicated, "plotty" short story might want to become a novel.

(Note: if you're an erotic writer who wants to be known as a strict Dominant, you might have found a useful sideline.)

 5) Don't try out your work-in-progress on relatives or close friends first. They are too involved in your life, and they will probably think the work is about them. Get feedback from people who know you as a writer.

Jean Roberta is the author of 'Something Natural' from Seriously Sexy, Vol 1. More of Jean Roberta's work can be found at http://www.jeanroberta.com/home.htm. 

Five Tips from Cheyenne Blue

 Cheyenne Blue’s Top Five Writing Tips

(or at least the ones that work for her)

1) Find a physical space that becomes your writing space. It can be your messy desk in the corner staring at a blank wall, your favorite café that does great coffee, or a nook in the garden overlooking the roses. But it should be a place that when you’re there, you’re there to write.

2) Turn off the internet when you write. Yes, even your email. Otherwise, the need to know the plotline of that Dr Who episode from 1972 can become more important than words on the page.

3) Blocked? Oh yeah, baby, it happens. Don’t use writer’s block as an excuse.

Write through it. Refer to your notes and plod on, getting those words down. You can edit later. Often, simply getting the words down frees up your writing and you’re back on track. Dr Wicked’s Write or Die (www.writeordie.com) is my productivity tool of choice for this.

4) Don’t be precious about your writing. Accept that it’s not perfect, take feedback, particularly from editors. If you have a first reader or critique group that you trust, listen to them and take their suggestions on board. Don’t be the sort of writer who scares away honest critique by your reaction.

5) Edit. Edit. Editediteditedit. It’s important to leave enough time for this, especially if you have a looming deadline. Ideally, set your story aside for at least a week before your final edit. Otherwise, your brain sees what it expects to see, rather than what is actually there, and all sorts of errors can slip through. I find reading aloud helps too.

Over the past ten years Cheyenne Blue’s erotica has appeared in over 70 anthologies including Best Women's Erotica, Mammoth Best New Erotica, Best Lesbian Erotica, Best Lesbian Romance, Girl Crazy, Cowboy Lust and Girls Who Score. Visit her website at http://www.cheyenneblue.com.

Five tips from Anneke Jacob

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